It’d really suck if I got ice or water-themed superpowers. I’d have to wear blue and white and gray instead of the reds and oranges I prefer.
wear the reds and oranges and pull an iceland/greenland on em
“I have cornered you in this aquarium, where your fire powers are useless!”
“Fire powers? Dude, I’m an ice hero. I freeze shit and manipulate water. Also, I love aquariums. Thanks for the free entry!”
“But… you’re dressed like Guy Fieri…?”
“Yeah haha. I have an autumnal complexion.”
Also, no superhero should have a name that gives away the power set.
Misdirection – “Get him, Lasereye!”
“Haha, my mirror will deflect your, wait, why are you made of stone now?”They call him laser eye because he once blinded himself with a laser pointer and it was the funniest shit they’d ever seen
Tag: superheroes
superhero media is too “apolitical” nowadays. where’s the superhero taking out drones in the Middle East to save lives and protect privacy. where’s the superhero who spends more time fighting cops than supervillains. where’s the superhero showing up to protests to protect protestors. where’s the superhero who fights all the evil capitalists causing water crises and environmental disasters. where’s the superhero who fights the KKK. where’s the superhero who helps real people with real problems instead of fighting aliens and robots all the time.
This. This a billion times. God, I’m so glad someone wrote this. Bless you.
Where’s the superhero that shows up to stop a cop from shooting an unarmed black child? Where’s the hard-nosed Green Arrow-style vigilante who rains terror and vengeance down on the heads of serial rapists who go unpunished due to slut-shaming, and then goes after the university disciplinary board who let it keep happening because their rules were geared more toward protecting the perpetrators than the victims?
Part of what has always made superheroes resonate is that they filled a need in fiction that was not being filled in reality by standing up to the corrupt powers of their day. Captain America fought Hitler. Batman stood up to the mob and a corrupt police force. Oliver Queen fought against the drug trade and underhanded corporate practices and was an outspoken social progressive besides. Superheroes have always been involved with the politics of their time.
Now we have this weird generation of fake geek boys who are often vocally arguing the opposite of what OP said, whinging about how “political agendas” are ruining all the things they love, while completely forgetting that they largely owe the things they love to the brilliant writers and artists who had something important to say and chose to say it through superhero stories (and science fiction as a broader genre, for that matter).
The real kicker is how deeply hypocritical these complaints are, because a large number of these guys are the same ones who support their presumed ownership of this material (as “real fans”) by pointing to how important it was to them when they were getting bullied in school, how much they loved these things before it was “cool” to love them (and before they were cool, by extension).
And it somehow never occurs to them that the very reason these stories were so important to them, so relevant, was because they were powerless kids reading about/watching heroes who were attacking corrupt power structures. It somehow escapes them that there might be people out there who need that kind of boost just as badly as they did, or even more so.
This generation has problems, dudes. It needs heroes just as badly as you did when you were a kid. They may have different backgrounds than you’re used to and fight different monsters, but that doesn’t make them less true to the spirit of storytelling in comics. You wanna know why the MCU is starting to feel flat and rote? Because they’ve tossed out the soul of what made superhero stories so damn good and replaced it with a lot of shiny action sequences.
The truth is, politics aren’t ruining superheroes. Political apathy, poor representation, and whining fanboys are ruining superheroes.
This is why Black Lightnining’s pilot feels so refreshing. Because damn if they don’t tackle police brutality and racial profiling right from the beginning.
jq37:
jq37:
You know who did the teen hero thing right? Kim Possible, that’s who. She never messed around with that secret identity thing or with not letting her parents or friends know what she was doing so she never had to deal with, “Oh, I’m gonna miss this important family event to save the world” or, “What’ll happen in my friends find out my secret identity?” bullcrap. It was like, “Mom, Dad. I gotta go deal with this Drakken sitch,” and they’d just be like, “Have fun. Tell Ron we said hi.” She had that hero/personal life balance thing on lock. I aspire to have my life as in balance as Kim Possible.
Her villains were also not super competent, but this is an excellent point! If anyone has opinions on secret identities vs not having them, hit me up! I’m doing a deep dive into this for a fic I’m writing.
I understand keeping a secret ID from the world at large despite the way I wrote that post (I would have written it more carefully if I knew it was going to blow up) but what I really don’t get is not telling your family/close friends/significant other to “protect them”. Whether MJ knows Pete is Spidey or not, she’s still getting kidnapped if a bad guy finds out. Wouldn’t it be better for her to know why she’s constantly getting kidnapped so she can prepare/fight back/help protect your ID/help you cover when you need to duck out an be super/not get mad when you miss a date because you were saving the city etc? A support system is important and leaving trustworthy people in the dark just because is dumb.
Whoa, thanks for the response! That makes a lot of sense—hadn’t considered the difference between just telling friends and family and telling everyone. Yeah the real bad guys often find out anyway so might as well have a secret identity as one method of protection, or protection from most of that stuff, and make sure your loved ones are prepared for the worst anyway.
jq37:
You know who did the teen hero thing right? Kim Possible, that’s who. She never messed around with that secret identity thing or with not letting her parents or friends know what she was doing so she never had to deal with, “Oh, I’m gonna miss this important family event to save the world” or, “What’ll happen in my friends find out my secret identity?” bullcrap. It was like, “Mom, Dad. I gotta go deal with this Drakken sitch,” and they’d just be like, “Have fun. Tell Ron we said hi.” She had that hero/personal life balance thing on lock. I aspire to have my life as in balance as Kim Possible.
Her villains were also not super competent, but this is an excellent point! If anyone has opinions on secret identities vs not having them, hit me up! I’m doing a deep dive into this for a fic I’m writing.
okay will someone please tell a superhero one of these days
that killing a mass murderer is not, actually, lowering yourself to their level, but rather, preventing them from murdering more innocent people.
yup yup YUP YUP YUP YES YES???
AND ALSO TELL THEIR LOVE INTERESTS because sometimes THEY’RE the ones who are like “STAHP”
Can we also throw in these:
1. Not telling loved ones about bad guys with grudges does not protect them. It actually puts them at greater risk.
2. Leaving someone you care about alone “because they’re your weak spot” also does not protect them. It does make it likely that they won’t be able to ask you for help, though, if someone does come after them.
you all added on very good points and I honestly couldn’t agree more
We Had Women Photoshopped Into Stereotypical Comic Book Poses And It Got Really Weird
Wtf
the fact that it doesn’t look weird until we see it on real models says a lot bc we’re just like… conditioned to see that shit as normal
Why I don’t read Marvel/DC comics anymore despite loving the characters, a photo essay.
the most implausible thing about superhero movies is that these guys make their own suits, like seriously those toxic chemicals did NOT give you the ability to sew stretch knits, do you even own a serger
I feel like there’s this little secret place in the middle of some seedy New York business neighborhood, back room, doesn’t even have a sign on the door, but within three days of using their powers in public or starting a pattern of vigilanteism, every budding superhero or supervillain gets discreetly handed a scrap of paper with that address written on it.
Inside there’s this little tea table with three chairs, woodstove, minifridge, work table, sewing machines, bolts and bolts of stretch fabrics and maybe some kevlar, and two middle-aged women with matching wedding rings and sketchbooks.
And they invite you to sit down, and give you tea and cookies, and start making sketches of what you want your costume to look like, and you get measured, and told to come back in a week, and there’s your costume, waiting for you.
The first one is free. They tell you the price of subsequent ones, and it’s based on what you can afford. You have no idea how they found out about your financial situation. You try it on, and it fits perfectly, and you have no idea how they managed that without measuring you a whole lot more thoroughly than they did.
They ask you to pose for a picture with them. For their album, they say. The camera is old, big, the sort film camera artists hunt down at antique stores and pay thousands for, and they come pose on either side of you and one of them clicks the camera remotely by way of one of those squeeze-things on a cable that you’ve seen depicted from olden times. That one (the tall one, you think, though she isn’t really, thin and reminiscent of a Greek marble statue) pulls the glass plate from the camera and scurries off to the basement, while the other one (shorter, round, all smiles, her shiny black hair pulled up into a bun) brings out a photo album to show you their work.
Inside it is … everyone. Superheroes. Supervillains. Household names and people you don’t recognize. She flips through pages at random, telling you little bits about the guy in the purple spangly costume, the lady in red and black, the mysterious cloaked figure whose mask reveals one eye. As she pages back, the costumes start looking really convincingly retro, and her descriptions start having references to the Space Race, the Depression, the Great War.
The other lady comes up, holding your picture. You’re sort of surprised to find it’s in color, and then you realize all the others were, too, even the earliest ones. There you are, and you look like a superhero. You look down at yourself, and feel like a superhero. You stand up straighter, and the costume suddenly fits a tiny bit better, and they both smile proudly.
*
The next time you come in, it’s because the person who’s probably going to be your nemesis has shredded your costume. You bring the agreed-upon price, and you bake cupcakes to share with them. There’s a third woman there, and you don’t recognize her, but the way she moves is familiar somehow, and the air seems to sparkle around her, on the edge of frost or the edge of flame. She’s carrying a wrapped brown paper package in her arms, and she smiles at you and moves to depart. You offer her a cupcake for the road.
The two seamstresses go into transports of delight over the cupcakes. You drink tea, and eat cookies and a piece of a pie someone brought around yesterday. They examine your costume and suggest a layer of kevlar around the shoulders and torso, since you’re facing off with someone who uses claws.
They ask you how the costume has worked, contemplate small design changes, make sketches. They tell you a story about their second wedding that has you falling off the chair in tears, laughing so hard your stomach hurts. They were married in 1906, they say, twice. They took turns being the man. They joke about how two one-ring ceremonies make one two-ring ceremony, and figure that they each had one wedding because it only counted when they were the bride.
They point you at three pictures on the wall. A short round man with an impressive beard grins next to a taller, white-gowned goddess; a thin man in top hat and tails looks adoringly down at a round and beaming bride; two women, in their wedding dresses, clasp each other close and smile dazzlingly at the camera. The other two pictures show the sanctuaries of different churches; this one was clearly taken in this room.
There’s a card next to what’s left of the pie. Elaborate silver curlicues on white, and it originally said “Happy 10th Anniversary,” only someone has taken a Sharpie and shoehorned in an extra 1, so it says “Happy 110th.” The tall one follows your gaze, tells you, morning wedding and evening wedding, same day. She picks up the card and sets it upright; you can see the name signed inside: Magneto.
You notice that scattered on their paperwork desk are many more envelopes and cards, and are glad you decided to bring the cupcakes.
*
When you pick up your costume the next time, it’s wrapped up in paper and string. You don’t need to try it on; there’s no way it won’t be perfect. You drink tea, eat candies like your grandmother used to make when you were small, talk about your nights out superheroing and your nemesis and your calculus homework and how today’s economy compares with the later years of the Depression.
When you leave, you meet a man in the alleyway. He’s big, and he radiates danger, but his eyes shift from you to the package in your arms, and he nods slightly and moves past you. You’re not the slightest bit surprised when he goes into the same door you came out of.
*
The next time you visit, there’s nothing wrong with your costume but you think it might be wise to have a spare. And also, you want to thank them for the kevlar. You bring artisan sodas, the kind you buy in glass bottles, and they give you stir fry, cooked on the wood-burning stove in a wok that looks a century old.
There’s no way they could possibly know that your day job cut your hours, but they give you a discount that suits you perfectly. Halfway through dinner, a cinderblock of a man comes in the door, and the shorter lady brings up an antique-looking bottle of liquor to pour into his tea. You catch a whiff and it makes your eyes water. The tall one sees your face, and grins, and says, Prohibition.
You’re not sure whether the liquor is that old, or whether they’ve got a still down in the basement with their photography darkroom. Either seems completely plausible. The four of you have a rousing conversation about the merits of various beverages over dinner, and then you leave him to do business with the seamstresses.
*
It’s almost a year later, and you’re on your fifth costume, when you see the gangly teenager chase off a trio of would-be purse-snatchers with a grace of movement that can only be called superhuman.
You take pen and paper from one of your multitude of convenient hidden pockets, and scribble down an address. With your own power and the advantage of practice, it’s easy to catch up with her, and the work of an instant to slip the paper into her hand.
*
A week or so later, you’re drinking tea and comparing Supreme Court Justices past and present when she comes into the shop, and her brow furrows a bit, like she remembers you but can’t figure out from where. The ladies welcome her, and you push the tray of cookies towards her and head out the door.
In the alleyway you meet that same giant menacing man you’ve seen once before. He’s got a bouquet of flowers in one hand, the banner saying Happy Anniversary, and a brown paper bag in the other.
You nod to him, and he offers you a cupcake.