i feel like wonder woman could get away with throwing batman over her shoulder to carry him away exactly once, just because she would have the element of surprise. batman prepares for everything but there are limits. if you were batman would you ever in a million years expect a woman who is two inches shorter than you in one-inch heels to just pick you up and leave like she’s carrying a bag of sand to build a wall. like you are the victim of a cartoon caveman from the fifties. i postulate that you would not. maybe in her arms like a lumberjack’s bride, but a fireman’s carry? while he is not only conscious, but entirely capable of moving under his own power? this is the one scenario that batman never prepared for and he suffers the consequences. she could never get away with it again and so she doesn’t even try but from that moment on the possibility is always in the back of his mind. he is on alert. he wants her to try again so he can prove it won’t work this time. she never gives him the satisfaction. he can never explain to anyone how he is suffering. no one will understand. he stands on a rooftop in the rain and broods.
Exciting announcement time. My debut novel, Chasing Stars is going to be available for pre-order on Wednesday March 7th.
That’s in 3 days!
To celebrate, I’m giving away 20 free copies of the novel in e-book form.
The giveaway will run from today, March 4th, to the day of the official book release on March 21st (when it will also be available for pre-order on Amazon).
Winners will be announced on the 22nd.
So what’s this book about anyway?
For superhero Swiftwing, crime fighting isn’t her biggest battle. Nor is it having to meet the demanding whims of Hollywood screen goddess Gwen Knight as her mild-mannered assistant, Ava.
It’s doing all that, while tracking a giant alien bug, being asked to fake date her world-famous boss, and realizing that she might be coming down with a pesky case of feelings.
A fun, sweet, and sexy romance about the masks we all wear.
TO ENTER: REBLOG THIS POST.
– That’s it. A simple reblog and you could get a copy of this super novel.
– I’ll be using a random generator to choose winners, so only one entry per person, please.
WINNERS MUST PLEASE:
– Be willing to share their email address so that prizes may be delivered.
While I can’t hop the pond for @ClexaCon myself, I can send some of these awesome little postcards to go with the paperbacks that are on sale. If you go, say hi to @mermaiddrunk for me and check out her book, Chasing Stars, too!
I am 100% sure that most
people who use this trope don’t want
to support torture in any way and are horrified by the idea that they might be.
The problem is that we learn from fiction. We see well written fictional
portrayals using tropes like these and we see how widespread the idea is and we
assume.
That’s natural. We all do it. Five years ago (when I’d done
significantly less reading on what torture does vs how it is done) I was
merrily assuming it was true as well.
I honestly don’t know where the
trope comes from. I’m pretty sure that finding out definitively would be at
least a PhDs worth of work.
I do have an educated guess
though.
One of the patterns that emerged from Rejali’s analysis of media
surrounding the Franco-Algerian war was just how much French torturers warped
the narrative.
The ticking bomb scenario beloved of torture apologists literally comes from a novel written by a
French torturer.
It’s a…interesting read. The main character is an ultra-macho,
ultra-violent stereotype whose willingness to brutalise Arabs somehow magically
results in enemies giving him information, men respecting him and women falling
in love with him.
I am reaching slightly here but I believe this is how the author saw
himself- it’s what he wished he was.
And what struck me about it while
I read Rejali’s summary was how similar it was to narratives coming out of the
New World during the Trans-Atlantic slave trade.
The details change but a central theme was this insistence that the
violence was ‘necessary’. That without a level of violence which was quite
literally decimating the population society itself would collapse.
I don’t think the idea that brutality made people ‘passive’ came from
the slave trade. I think it’s probably significantly older than that.
But it is amazing just how
much slave owners clung to that idea when the New World was full of uprisings, violent attacks,
non-violent resistance and outright wars (for which see West African Warfare in Bahia and Cuba by M Barcia- not the only source
but an excellent book, I also recommend the classic Black Jacobins by C L R James).
So I think torturers have an
established history of arguing for torture, and chief among their arguments is
that torture is ‘necessary’. The exact reason varies with the times but making victims ‘passive’
has been one of the ‘reasons’ for a long long time.
Stepping back from specific periods in history I think you could also
argue that someone could come to this conclusion by fundamentally
misunderstanding how mental illness works.
They want to die. Well obviously they’re ‘broken’.
They jump at every little thing. ‘Broken’.
They don’t talk or interact like other people. ‘Broken’.
Every single thing on that list of symptoms has been used to devalue
human beings before, regardless of what may or may not have caused the symptom.
The behaviours these words represent are things society has judged for
centuries.
And those same behaviours are why calling this ‘broken’ is nonsense.
None of these illnesses, these patterns of behaviours, make people ‘compliant’.
None of them encourage obedience and many of them (completely outside of the
context of torture) work in ways that make obedience more difficult.
It’s not a definite answer. I never had the chance to take Media Studies
and I don’t have much official schooling when it comes to history (which is probably lucky, I shudder to think how history is taught in most of my countries)- And I think
that makes me the wrong person to try and chase down a definitive answer.
But my instinct, based on what I do know, is that it comes from a potent
stew of stereotypes about mental health problems and allowing torturers, abusers and their supporters to tell us
what violence is ‘really’ like.
Hufflepuff is staying up all night giggling with friends. It’s the sleepy “I love you” at the end of a five hour phone call. It’s a significant other running their fingers through your hair during a Sunday picnic. It’s finding a baby bird with a broken wing and nursing it back to health. It’s smiling at a stranger on the subway. Hufflepuff is picking flowers off of trees and tying them into your friend’s hair. Its wiping the sweat from your forehead after a long day’s work. It’s freshly baked bread and golden sunlight flooding through the windows. Hufflepuff is loving food way too much and crying with friends and loving until it hurts.
Gryffindor is laughing so loudly that strangers stare at you. It’s playing truth or dare at three in the morning. It’s running around like crazy people with your lover. It’s catching fireflies on a warm summer night. It’s complimenting a stranger’s crazy hair color and feeling so good when they smile. Gryffindor is hurling toilet paper over someone’s yard then laughing so hard it hurts. It’s standing up to a childhood bully. It’s unhealthy amounts of candy and fiery red sunsets. Gryffindor is being an adrenaline junkie and trying to do what’s right and getting back up after being knocked down .
Ravenclaw is 3am conversations about the meaning of life. It’s having a small close knit circle of friends who would die for each other. It’s longing to touch your lover’s soul. It’s googling pictures of llamas in tuxedos when you actually got online for a research paper. It’s feeling an instant bond with a stranger who’s wearing a band or tv show t-shirt. It’s being quirky and not caring. Ravenclaw is drinking coffee at 11pm. It’s effortlessly acing classes that you’re interested in. It’s dusty sheet music and a starry night sky. Ravenclaw is being obsessed with a certain book or show and pouring your soul into your work and expressing yourself creatively.
Slytherin is being willing to kill for the people you love. It’s having 3am gossip sessions with your best friend. It’s staring into your significant other’s eyes and instantly knowing what they’re thinking. It’s daydreaming about what the future holds. It’s always having a twinkle in your eye because you’re always one step ahead. It’s the thrill you get when you’re playing strategic board games. Slytherin is putting up walls because you feel things so deeply. It’s people being attracted to your mysterious vibe. It’s a waterfall in the middle of nowhere and an ambitious dream. Slytherin is being a natural leader and being successful and loving so much more than you let on.