Couples receive “parent points”, which they can use to purchase their children. Most parents wait for a few thousand, but you chose to buy the cheaper, 100 point child.
Shane knows what it’s like to be a 100 point child. He knows how it feels to see potential parents–potential families–come through the facilities doors, faces bright with excitement. He knows how it feels to see them reading the little plaques on the nursery doors, scanning the lists there for the right bits of knowledge and etiquette and grace that they want their baby to have.
He knows how it feels to see their faces pinch outside the window before they hurry to the next room.
Shane grew up in a 100 point nursery. They had torn, ratty, books and no teachers, and when snack time came, the tray was pushed through a slat in the door. They were called “unruly” and “damaged” and “stupid.” A lot of the other kids threw tantrums and broke furniture (and sometimes other kids). A lot of the other kids went quiet after the first few years when they realized they’d never be adopted until they were old enough (or pretty enough) to be useful. A lot of the kids cried and didn’t stop until they got taken away or were aged out.
Shane’s grown up a lot since aging out. He put himself through school, got himself a job, shed his 100 points like the torn clothes he’d left the facility in. He’s powerful now, successful, and he’s grown out of the twisted nose, big ears, and gap-toothed smile that had made him one of the less attractive 100 point babies. Or maybe he’s grown into them. Who’s to say?
It’s taken him a long time to get enough Parent Points to do what he wants. Being a man is, for once, somewhat hindering as most of society equates “parental” with “maternal.” He’s lost count of how many social workers have politely hid expressions of surprise when he told them he wanted to adopt stag, that he’s willing to take the classes, get the grades, make the oaths to get even one Parent Point.
Pete and Jane Carson were poor, so poor, and lived so far out away from town that they had trouble managing to earn many Parent Points. The points were awarded very strictly, and since their truck was…third-hand at least, well, they didn’t always make it everywhere exactly on time.
But they were so in love, and so enthusiastic about it, that as soon as they managed to reach that magical hundredth point, they practically ran to the Ward Building.
The lady took down their information and showed them all the brochures and read them all the disclaimers with a distinct air of disdain. It was obvious she thought no one had any business taking in any child worth less than a thousand points. Still, there was nothing to stop them from doing it–at least, nothing she could legally get away with–so she showed them to the hundred-point children.
It was agony making a choice. There were so many children there, and they were all so obviously in need of help. But one boy, the oldest and he was probably about seven, pointed them to a tiny child who’d been very sick lately and explained that the heat in the room didn’t work very well, and so when the little ones got sick, their tiny bodies sometimes couldn’t work hard enough to keep them warm and get them better. There was a look in his eyes that said sometimes there had been sick children who’d been eventually taken away and hadn’t been brought back.
So they took the sick child, whose name was Jakob, and gave him a home in their big, rickety farmhouse so far away from town, but they agreed. “That’s our next child.”
the most implausible thing about superhero movies is that these guys make their own suits, like seriously those toxic chemicals did NOT give you the ability to sew stretch knits, do you even own a serger
I feel like there’s this little secret place in the middle of some seedy New York business neighborhood, back room, doesn’t even have a sign on the door, but within three days of using their powers in public or starting a pattern of vigilanteism, every budding superhero or supervillain gets discreetly handed a scrap of paper with that address written on it.
Inside there’s this little tea table with three chairs, woodstove, minifridge, work table, sewing machines, bolts and bolts of stretch fabrics and maybe some kevlar, and two middle-aged women with matching wedding rings and sketchbooks.
And they invite you to sit down, and give you tea and cookies, and start making sketches of what you want your costume to look like, and you get measured, and told to come back in a week, and there’s your costume, waiting for you.
The first one is free. They tell you the price of subsequent ones, and it’s based on what you can afford. You have no idea how they found out about your financial situation. You try it on, and it fits perfectly, and you have no idea how they managed that without measuring you a whole lot more thoroughly than they did.
They ask you to pose for a picture with them. For their album, they say. The camera is old, big, the sort film camera artists hunt down at antique stores and pay thousands for, and they come pose on either side of you and one of them clicks the camera remotely by way of one of those squeeze-things on a cable that you’ve seen depicted from olden times. That one (the tall one, you think, though she isn’t really, thin and reminiscent of a Greek marble statue) pulls the glass plate from the camera and scurries off to the basement, while the other one (shorter, round, all smiles, her shiny black hair pulled up into a bun) brings out a photo album to show you their work.
Inside it is … everyone. Superheroes. Supervillains. Household names and people you don’t recognize. She flips through pages at random, telling you little bits about the guy in the purple spangly costume, the lady in red and black, the mysterious cloaked figure whose mask reveals one eye. As she pages back, the costumes start looking really convincingly retro, and her descriptions start having references to the Space Race, the Depression, the Great War.
The other lady comes up, holding your picture. You’re sort of surprised to find it’s in color, and then you realize all the others were, too, even the earliest ones. There you are, and you look like a superhero. You look down at yourself, and feel like a superhero. You stand up straighter, and the costume suddenly fits a tiny bit better, and they both smile proudly.
*
The next time you come in, it’s because the person who’s probably going to be your nemesis has shredded your costume. You bring the agreed-upon price, and you bake cupcakes to share with them. There’s a third woman there, and you don’t recognize her, but the way she moves is familiar somehow, and the air seems to sparkle around her, on the edge of frost or the edge of flame. She’s carrying a wrapped brown paper package in her arms, and she smiles at you and moves to depart. You offer her a cupcake for the road.
The two seamstresses go into transports of delight over the cupcakes. You drink tea, and eat cookies and a piece of a pie someone brought around yesterday. They examine your costume and suggest a layer of kevlar around the shoulders and torso, since you’re facing off with someone who uses claws.
They ask you how the costume has worked, contemplate small design changes, make sketches. They tell you a story about their second wedding that has you falling off the chair in tears, laughing so hard your stomach hurts. They were married in 1906, they say, twice. They took turns being the man. They joke about how two one-ring ceremonies make one two-ring ceremony, and figure that they each had one wedding because it only counted when they were the bride.
They point you at three pictures on the wall. A short round man with an impressive beard grins next to a taller, white-gowned goddess; a thin man in top hat and tails looks adoringly down at a round and beaming bride; two women, in their wedding dresses, clasp each other close and smile dazzlingly at the camera. The other two pictures show the sanctuaries of different churches; this one was clearly taken in this room.
There’s a card next to what’s left of the pie. Elaborate silver curlicues on white, and it originally said “Happy 10th Anniversary,” only someone has taken a Sharpie and shoehorned in an extra 1, so it says “Happy 110th.” The tall one follows your gaze, tells you, morning wedding and evening wedding, same day. She picks up the card and sets it upright; you can see the name signed inside: Magneto.
You notice that scattered on their paperwork desk are many more envelopes and cards, and are glad you decided to bring the cupcakes.
*
When you pick up your costume the next time, it’s wrapped up in paper and string. You don’t need to try it on; there’s no way it won’t be perfect. You drink tea, eat candies like your grandmother used to make when you were small, talk about your nights out superheroing and your nemesis and your calculus homework and how today’s economy compares with the later years of the Depression.
When you leave, you meet a man in the alleyway. He’s big, and he radiates danger, but his eyes shift from you to the package in your arms, and he nods slightly and moves past you. You’re not the slightest bit surprised when he goes into the same door you came out of.
*
The next time you visit, there’s nothing wrong with your costume but you think it might be wise to have a spare. And also, you want to thank them for the kevlar. You bring artisan sodas, the kind you buy in glass bottles, and they give you stir fry, cooked on the wood-burning stove in a wok that looks a century old.
There’s no way they could possibly know that your day job cut your hours, but they give you a discount that suits you perfectly. Halfway through dinner, a cinderblock of a man comes in the door, and the shorter lady brings up an antique-looking bottle of liquor to pour into his tea. You catch a whiff and it makes your eyes water. The tall one sees your face, and grins, and says, Prohibition.
You’re not sure whether the liquor is that old, or whether they’ve got a still down in the basement with their photography darkroom. Either seems completely plausible. The four of you have a rousing conversation about the merits of various beverages over dinner, and then you leave him to do business with the seamstresses.
*
It’s almost a year later, and you’re on your fifth costume, when you see the gangly teenager chase off a trio of would-be purse-snatchers with a grace of movement that can only be called superhuman.
You take pen and paper from one of your multitude of convenient hidden pockets, and scribble down an address. With your own power and the advantage of practice, it’s easy to catch up with her, and the work of an instant to slip the paper into her hand.
*
A week or so later, you’re drinking tea and comparing Supreme Court Justices past and present when she comes into the shop, and her brow furrows a bit, like she remembers you but can’t figure out from where. The ladies welcome her, and you push the tray of cookies towards her and head out the door.
In the alleyway you meet that same giant menacing man you’ve seen once before. He’s got a bouquet of flowers in one hand, the banner saying Happy Anniversary, and a brown paper bag in the other.
The world’s tiniest dragon must defend his hoard, a single gold coin, from those who would steal it.
Suggestion: The dragon’s definition of “steal” is somewhat loose. It still allows the coin to be used and bartered and change hands–but on one condition: the dragon must be with it at all times.
They become a familiar sight in the marketplace.
“Here’s your change, ma’am. One gold piece.” The merchant holds out a palm, on top of which rests a tiny, brilliantly colored creature clutching a single gold coin.
“That’s a dragon,” you say dumbly. “One piece… and a dragon.”
“Yes.”
You cautiously reach out and attempt to take your change. You tug. It holds. You tug harder. The dragon lets loose a tiny, protective growl.
“Ma’am–no, ma’am, you have to take the dragon, too.”
“Sorry?”
The seller notes your dubious expression. “Not from around here, are ya?” They shrug. “Them’s the rules. Take the coin, take the dragon.”
They wait expectantly. Wondering how the world has so suddenly gone mad, you slowly, slowly hold out your hand.
The dragon perks right up. It scampers from their palm to yours with the coin clamped in its jaws and scales your sleeve with sharp little claws.
“Have a nice day, ma’am,” the merchant says. “Spend him soon, now, you hear? At another booth, if you can. He likes to travel.”
From its perch upon your shoulder, the dragon lets out a happy trill.
Bonus: the coin eventually passes to the rogue in a group of travelling adventurers. The dragon becomes the mascot of the entire group, and they lay out a small pile of coins for him to sleep on every night, clutching his coin like a teddy bear.
Humans quickly get a reputation among the interplanetry alliance and the reputation is this: when going somewhere dangerous, take a human.
Humans are tough. Humans can last days without food. Humans heal so fast they pierce holes in themselves or inject ink for fun. Humans will walk for days on broken bones in order to make it to safety. Humans will literally cut off bits of themselves if trapped by a disaster.
You would be amazed what humans will do to survive. Or to ensure the survival of others they feel responsible for.
That’s the other thing. Humans pack-bond, and they spill their pack-bonding instincts everywhere. Sure it’s weird when they talk sympathetically to broken spaceships or try to pet every lifeform that scans as non-toxic. It’s even a little weird that just existing in the same place as them for long enough seems to make them care about you. But if you’re hurt, if you’re trapped, if you need someone to fetch help?
You really want a human.
you know fantasy dragon soulbonding fic i want more of that where the humans are the dragons, like, we’re huge, we’re old, we’re scrappy as hell, and if you are small and cute enough we would be delighted to carry you around on our back
Oh god, now I’m imagining sapient species with lifetimes of, like, a year, and there’s one family that’s been attached to, like, a pirate since she rescued the doll-sized matriarch. She was 23 and just getting command of her first space cruiser, and because she rescued the matriach, the entire family regards her as their protector, they literally live in her bedroom until they reproduce too much (They have a litter every month), then they start traveling around her ship, and there’s entire societies all throughout the ship after, like, 5 years.
She goes down to the engine room for the first time in a decade because she has to find the head engineer for reasons, and there are literal little beasties down there who hail her as the “First guardian” and are so astonished to see her, and they want to come with her to the promised land, and she’s just like “Where?” They describe a luxurious land of softness, and she realizes they mean her bedroom.
So she starts making a habit of visiting every place on her ship multiple times a year, bringing the little buggers to see her room and bringing them home, and her legit crew thinks these guys are hilarious and adorable, and anyone with one of them in attendance has permission to visit her room, and long story short, after 20 years, she’s like a crazy cat lady, but with hundreds and hundreds of doll-sized little aliens who literally worship her.
Alternatively, what about the story where we’re the equivalent of the sentient cats? Like we’re small and kinda funny-looking and our lifespan isn’t that great, but we bond with other species like whoa, so most starships have a human as a mascot (the long haul freighters have an entire family, maybe even a village)
And mostly we’re just seen as the cute mascot. But then every now and then the shit hits the impeller. And that’s when you get stories like “he jammed our sonar, and he had a gun on us and we thought we were done for! But, I guess he’d forgotten how flexible humans are. Our ship’s human had crawled out of her nest and behind the console, you know, in that wiring gap? She jumped on his back and ripped his antennae out! With her bare hands! He threw her into the console and she just got right back up and kept fighting, smashed her upper joints into his flaps over and over again, and she didn’t stop until he quit moving, even though she was leaking everywhere and we could see a piece of her inner skeleton! We rushed her to the med techs but we were sure she was done for. But, did you know, humans can reattach their skeleton parts?? She gets around just fine now, says it doesn’t bother her. She saved all of us. She could have just stayed in her nest and been fine, but she defended us and saved the ship. I’m never serving on a crew without a human ever again.”
“Yeah, did you hear about the crew from over Ktl’ree way? They had a gas leak in the middle of that awful nebula they’ve got, took out everyone but their humans. Turns out, their humans rewired their wormhole drive so they could get the ship home in time to get everyone medical attention. Said they figured they’d either all survive or they’d all go together. Now that’s loyalty. Can you imagine?”
“I’ve heard they’re even more fierce about defending the ship if you have a bonded pair. We’ve just had the one, since we’re short haul, but we’re looking for another one after that incident. It’s hard to find one the right age who doesn’t have a ship, though, never mind one she likes. There was one attached to another ship, they actually did bond for a bit, and the other ship offered to pay for our search for a new pair if she’d come with them. We talked to her about it—but she refused to leave us. She said ‘girlfriends come and go but we’re family.’ Can you believe that?”
“They’re amazing. I don’t understand ships who don’t have at least one. I served on a luxury cruiser that had a whole bunch, five or six families. Have you seen their young? They’re so adorable!”
“I know, right? Ours has offspring-from-the-same-parents she talks to whenever we’re in port, and she shows us pictures of their young. We’d find the room if she wanted some, but she says no, she’s not ready—but maybe if we find another one she can bond with. We’re kind of hoping.”
And this is how The End is stopped. Not by the gods or goddesses, the other races than man, no. It is Tumblr. As a mass running after a now confused and tail tucking Fenrir, whining softly as the crowd chants “PUPPER! PUPPER! PUPPER!”
Better yet: Fenrir escapes his chains and lopes forward to destroy the earth, and is met by a crowd of people. An army, Fenrir thinks, and bares his teeth in a ferocious snarl and charges toward them.
They cheer.
Wait … cheer?
Fenrir slows, confused. He smells no fear, senses no rage. This is … a very strange army.
The first hand—weaponless!—reaches for him; he tenses, ready to tear the offending limb to shreds, and lets out a high little yippy whine when it pats him about the ears.
Immediately the noise is reproduced by some four or five of the nearest humans; he smells excitement; more hands are patting him.
It’s nice.
The humans crowd around him, patting him and scritching him and shuffling around to give others a chance. Voices coo, and make puppy noises, and someone catches just the right spot and he cocks his leg and scratches himself, drawing a multitude of oohs and ahhs and cheers and squees.
At some point, his hunger awakens at the scent of burnt flesh; a human has brought him what he later learns is a hot dog; he swallows it in one bite, to more cheering, and looks around hopefully for more.
It is not long before more is bought: steaks and Big Macs and bacon; it seems like much of the group has brought him a snack of some kind and was hoping for a chance to give it to him.
The End of the World is supposed to be at hand, but Fenrir does not care. His hunger sated, his battle-lust swept away by a tide of gently petting hands, he rolls over, careful not to crush his many companions, and takes a nap.
“Who’s a good boy?” they ask him, over and over.
Is this some psychological warfare, he wonders, designed to undermine his confidence and remind him that he is nothing more than a monster who needs to be chained?
“Who’s a good boy, huh, huh?” “Who’s my good boy?” “
And then one of them answers the question for him.
“You are!”
‘Me?’ he thinks. But if there was any doubt, she confirms it.
“You are, yes you are.”
Fenrir’s tongue hangs out of his mouth as he grins. ‘I’m a good boy!’
Question of Smoke 