ariaste:

IDK if you guys are following the current trashfire over on twitter, but there’s this new group who are trying to “encourage” authors to stop focusing on “political messages” or “complaining about world events” and “steer the sci-fi/fantasy community of creators away from the bickering and fighting over non- sci-fi/fantasy issues and back to just creating wonderful new stories”. They’re explicitly aspiring to form a space where “all viewpoints are welcome and valued” (translation: “You know, I think we should hear out the Nazis, maybe they have some good arguments”).

Also they’re sympathetic to the Sad Puppies. Also they called my agent a cancer on SFF.
:DDDDDDDDD ENJOY THE THREAD.

As a reader who also writes what are a few of your cringe worthy things you wish more writers were aware of and why?

fictorium:

Gosh, I’ve really mellowed on this in recent years. I remember being a little snot about what’s acceptable and what’s not all the time. But honestly, it doesn’t matter that much if you go with the word that makes me wrinkle my nose. Or if you do songfic with the lyrics breaking up the text of the story. It took me ages but for everything that makes one person rush for the ‘x’ in the corner, another ten don’t mind and just enjoy the story.

There are a couple of general exceptions to the anything goes policy – no food terms for describing people of colour, please. And I don’t overly love using the language of hets to describe a relationship between two women, but I also see that there’s a place for that. I’m always free to not read it. We need to bring that back, don’t we?

Don’t like, don’t read.

But yeah, who the hell am I to deny anyone the fun and satisfaction of putting their words on the page and getting the reactions to it? We can all always do better, that’s what betas/editors are for (when you can get them). In the meantime, well, maybe we can all get together on the word ‘turgid’ not being that sexy?

thebibliosphere:

tarysande:

When your character tells you a thing and you, the author, are like, “No, you’re shitting me,” and the character’s all, “I absolutely am not,” and you realize that every single seed needed to grow that thing WAS ALREADY PLANTED IN THE STORY.

I’d like to lie and say I’m being deliberately clever when people notice things in my writing but honestly I’m just as much along for the ride as everyone else.

7 things you can do instead of writing your novel

nyctonaut:

1. HAVE AN EXISTENTIAL CRISIS

Nothing brightens up your day like stopping in the middle of your daily routine to contemplate life’s mysteries and the pointlessness of your own existence. The universe poses many impossible questions and it’s imperative that you answer these questions instead of writing. Why do you even exist? Where did you come from? Where are you going? Where did you come from, Cotton-Eye Joe?

2. BINGE-WATCH TWENTY SHOWS ON NETFLIX

It’s okay. It’s “research”. How else can you justify sitting through WWII In Colour until 2 in the morning? Or better yet, pick a show with a million seasons. Preferably one from the 90s. FRIENDS, The X-Files, & Buffy are all good choices. Be sure to cry copiously during the season finales and give yourself a week long break from writing to recover emotionally.

3. START A BLOG

Why write your story when you can write about writing your story? Complaining on the internet to complete strangers about your creative failures is an age-old tradition. Even Hemingway did it! Give out crappy writing advice, rant about your characters’ personal lives, or just whine about your day job and hope your boss never finds your blog.

4. TWEAK YOUR OUTLINE

This novel is going to be perfect, goddammit! And you can’t get perfection from an imperfect outline. Sure, it’s been months since you last looked at the thing but now is the perfect time to tweak all the scenes and create meticulous interviews for every single tertiary character mentioned in your book. Even if you consider yourself a stubborn pantser, you won’t be able to resist the temptation of creating multi-page detailed outlines you’ll probably never use again!

Tweak your outline until it’s absolutely perfect. Tweak your outline until your story morphs into something totally unrecognizable and you find the real story hiding within. And if you’ve ever felt like your novel is missing something special, now is the time to add that convoluted subplot involving half-baked conspiracy theories, Trump’s duck fluff, and your high school English teacher who gave you an C-. That’ll show Mr. Stuart, that uncultured troglodyte!

5. CLEAN ALL THE THINGS!

Let’s be real: you really can’t write your novel until the house is spotless. That pile of dishes you’ve left neglected in the sink aren’t going to clean themselves! And let’s not forget vacuuming, dusting, cleaning out the fridge, and scrubbing the spaces between your keyboard with a very small, very tiny, broomstick.

6. OPEN SEVENTEEN NEW TABS

You’re a multitasker. Why stare blankly at your word document for an hour when you can open a billion new tabs and browse the interwebs for the rest of the day? Here, I’ll even get you started:

  • Tab 1: Youtube cat videos on autoplay (for the ambience)
  • Tab 2: Pinterest for all your story inspiration pins!
  • Tab 3: That one Wikipedia article for “research”
  • Tabs 4-10: TVTropes pages for “reference”
  • Tab 11: Spotify playlist (for the right atmosphere)
  • Tab 12: Facebook page of the person you’re stalking
  • Tab 13: Google search result for “How long does it take for a body to decompose and I’m asking for a book I’m writing please don’t arrest me FBI agent monitoring my computer”
  • Tab 14-16: Three separate Tumblr dashboards for inexplicable reasons
  • Tab 17: Blog article that advises you to stop wasting time on the internet and get back to writing  

7. BECOME AN ALCOHOLIC

Even Hemingway did it!

“Getting” yourself to write

wrex-writes:

Yesterday, I was trawling iTunes for a decent podcast about writing. After a while, I gave up, because 90% of them talked incessantly about “self-discipline,” “making writing a habit,” “getting your butt in the chair,” “getting yourself to write.” To me, that’s six flavors of fucked up.

Okay, yes—I see why we might want to “make writing a habit.” If we want to finish anything, we’ll have to write at least semi-regularly. In practical terms, I get it.

But maybe before we force our butts into chairs, we should ask why it’s so hard to “get” ourselves to write. We aren’t acting randomly; our brains say “I don’t want to do this” for a reason. We should take that reason seriously.

Most of us resist writing because it hurts and it’s hard. Well, you say, writing isn’t supposed to be easy—but there’s hard, and then there’s hard. For many of us, sitting down to write feels like being asked to solve a problem that is both urgent and unsolvable—“I have to, but it’s impossible, but I have to, but it’s impossible.” It feels fucking awful, so naturally we avoid it.

We can’t “make writing a habit,” then, until we make it less painful. Something we don’t just “get” ourselves to do.

The “make writing a habit” people are trying to do that, in their way. If you do something regularly, the theory goes, you stop dreading it with such special intensity because it just becomes a thing you do. But my god, if you’re still in that “dreading it” phase and someone tells you to “make writing a habit,” that sounds horrible.

So many of us already dismiss our own pain constantly. If we turn writing into another occasion for mute suffering, for numb and joyless endurance, we 1) will not write more, and 2) should not write more, because we should not intentionally hurt ourselves.

Seriously. If you want to write more, don’t ask, “how can I make myself write?” Ask, “why is writing so painful for me and how can I ease that pain?” Show some compassion for yourself. Forgive yourself for not being the person you wish you were and treat the person you are with some basic decency. Give yourself a fucking break for avoiding a thing that makes you feel awful.

Daniel José Older, in my favorite article on writing ever, has this to say to the people who admonish writers to write every day:

Here’s what stops more people from writing than anything else: shame. That creeping, nagging sense of ‘should be,’ ‘should have been,’ and ‘if only I had…’ Shame lives in the body, it clenches our muscles when we sit at the keyboard, takes up valuable mental space with useless, repetitive conversations. Shame, and the resulting paralysis, are what happen when the whole world drills into you that you should be writing every day and you’re not.

The antidote, he says, is to treat yourself kindly:

For me, writing always begins with self-forgiveness. I don’t sit down and rush headlong into the blank page. I make coffee. I put on a song I like. I drink the coffee, listen to the song. I don’t write. Beginning with forgiveness revolutionizes the writing process, returns its being to a journey of creativity rather than an exercise in self-flagellation. I forgive myself for not sitting down to write sooner, for taking yesterday off, for living my life. That shame? I release it. My body unclenches; a new lightness takes over once that burden has floated off. There is room, now, for story, idea, life.

Writing has the potential to bring us so much joy. Why else would we want to do it? But first we’ve got to unlearn the pain and dread and anxiety and shame attached to writing—not just so we can write more, but for our own sakes! Forget “making writing a habit”—how about “being less miserable”? That’s a worthy goal too!

Luckily, there are ways to do this. But before I get into them, please absorb this lesson: if you want to write, start by valuing your own well-being. Start by forgiving yourself. And listen to yourself when something hurts.

Next post: freewriting

Ask me a question or send me feedback! Podcast recommendations welcome…

I find that, for me, the work is a safe place to put all the stuff you don’t want to put in your real life. I don’t want to be a crazy, manic asshole. I don’t want to have an affair. I don’t want to have a fucking gunfight. But! There’s a part of your brain that wants to experience everything, and so work’s a safe place to explore it all. Both in the writing and in the performing. I get to write about an affair. I get to have the guilt and the feeling of that without having to fuck my life up. [laughs]

Art is the place to safely explore all those other sides of you, because the side you want to bring home is the side that wants to be a good father and be a good husband and be a good son. In art we can be fucking nuts

Lin-Manuel Miranda pretty much nailing why all art and means of creative expression is so important (x)