Pointless LOTR headcanon of the day: Frodo & Merry both take after their mothers, meaning Frodo looks more like a Brandybuck than a Baggins and Merry looks more like a Took. This is a constant source of petty contention.
(Pippin meanwhile absolutely takes after his father & is the most Tookish looking)
Merry: call me a Took one more time
Gandalf: if it looks like a Took and acts like a Took it’s a Took
Merry: I will END you
Gandalf is the only nonhobbit in the fellowship who understands the minutiae of Took Vs Brandybuck Vs Baggins rivalry & he delights in it, everyone else baffled
Frodo: look it’s perfectly simple. The Brandybucks don’t like the Tooks because they play golf and think they’re better than everyone because they occasionally go on adventures. The Tooks don’t like the Brandybucks because they live on the wrong side of the river and like boats. And nobody likes the Bagginses because they’re annoying.
Aragorn: are you… Including yourself in that
Frodo: I said what I said.
Frodo: now the Bagginses don’t like the Brandybucks OR the Tooks because they’re highly disrepectable but also richer than they are. And as far as a lot of the Bagginses are concerned I’m a Brandybuck because I grew up in Buckland and I have the Brandybuck Profile
Merry: which just means he’s not pug-ugly
Frodo: quite.
Aragorn: this is all ridiculous. Keep going.
Gandalf: Hm now I wouldn’t say UGLY but… every Baggins I’ve ever met has been perfectly Round or perfectly Square… There is no middle ground.
Gimli, baffled: Frodo isn’t round OR square
Merry: that’s because he has the Brandybuck profile
Gimli: so… Is he a Brandybuck…
Merry: ABSOLUTE not
Frodo: slander!! I’m a Baggins how dare you
Pippin: was your father a Round Baggins or a Square Baggins
Frodo: my father… Was the ROUNDEST Baggins who ever lived… A perfect Sphere of hobbit…
Legolas pretty quickly gets in the habit of venting about his travelling companions in Elvish, so long as Gandalf & Aragorn aren’t in earshot they’ll never know right?
Then about a week into their journey like
Legolas: *in Elvish, for approximately the 20th time* ugh fucking hobbits, so annoying
Frodo: *also in Elvish, deadpan* yeah we’re the worst
Legolas:
~*~earlier~*~
Legolas: ugh fucking hobbits
Merry: Frodo what’d he say
Frodo: I’m not sure he speaks a weird dialect but I think he’s insulting us. I should tell him I can understand Elvish
i always thought it was funny how in the lord of the rings sam and frodo head out and after awhile sam’s like “mr. frodo if i take one more step this is the farthest from the shire ive ever been” and then a ways after they meet up with merry and pippin on their daily vegetable run like jesus christ sam get out of the house once in awhile
Okay to be fair Sam is a working class dude with a physical job who lives on the west side of the Shire while Merry and Pippin are spoiled rich kids with loads of leisure time who live a decent ways further east so cut the guy a break he carries the One Ring to Mount Doom when Frodo can’t and does not deserve this kind of talk.
Still my favorite story from the Lord of the Rings set: Viggo Mortensen bonded so much with the horse he rode in the movies that after filming was over he bought it from its owner. If that doesn’t warm your heart I don’t know what could.
don’t forget that he also bought arwen’s horse for her stunt rider when she couldn’t afford it awww
also sort of relevant viggo also bought the horse that costarred with him in the movie hidalgo and subsequently took the horse (tj) with him to the red carpet premier.
Also most of the Riders of Rohan are actually women because when they put out that call mostly women showed up with their horses and the costume team just stuck beards on them.
if this isn’t the best post i don’t
So you’re saying the entire Rohan army could have killed the Witch-King of Angmar.
Witch King: No living man can kill me!
several thousand riders of Rohan: *rip their fake beards off*
One overlooked thing that really sets the Lord of the Rings films apart from other franchises is how earnest they are-
Most movies are so afraid of being “cheesy” that whenever they say something like “friendship is the most powerful force in the world” they quickly undercut it with a joke to show We Don’t Really Believe That! 😉 Even Disney films nowadays have the characters mock their own movie’s tropes (”if you start singing, I’m gonna throw up!”) It’s like winking at the camera: “See, audience? We know this is ridiculous! We’re in on the joke!”
But Lord of the Rings is just 12.5 hours of friendship and love being the most powerful forces in the world, played straight. Characters have conversations about how much their home and family and friends mean to them, how hope is eternal, how there is so much in the world that’s worth living for…. and the film doesn’t apologize for that. There’s no winking at the audience about How Cheesy and Silly All This Is; it’s just. Completely in earnest.
And when Lord of the Rings does “lean on the fourth wall” to talk about storytelling within the film, it’s never to make jokes about How Ridiculous These Storytelling Tropes are (the way most films do)…. but instead to talk about how valuable these stories can be. Like Sam’s Speech at the end of the Two Towers: the greatest stories are ones that give you something to believe in, give you hope, that help you see there are things in a bleak violent world that are worth living for
So (according to the concept art book) as the Fellowship travels deeper into Middle Earth, the places they pass through become inspired by progressively older periods of history. The farther along you are in the story, the more ancient the design influences
We begin in The Shire: which feels so familiar because, with its tea-kettles and cozy fireplaces, it’s inspired by the relatively recent era of rural England in the 1800s
But when we leave Hobbiton, we also leave that familiar 1800s-England aesthetic behind and start going farther back in time.
Bree is based on late 1600s English architecture
Rohan is even farther back, based on old anglo-saxon era architecture (400s-700s? ce)
Gondor is way back, and no longer the familiar English or Anglo-Saxon: its design comes from classical Greek and Roman architecture
And far far FAR back is Mordor. It’s a land of tents and huts: prehistoric, primitive, primeval. Cavemen times
And the heart of Mordor is a barren lifeless hellscape of volcanic rock…like a relic from the ages when the world was still being formed, and life didn’t yet exist
And then they finally reach Mount Doom, which one artist described as
“where the ring was made, which represents, in a sense, the moment of creation itself”
“A fox passing through the wood on business of his own stopped several minutes and sniffed.
‘Hobbits!’
he thought. ‘Well, what next? I have heard of strange doings in this
land, but I have seldom heard of a hobbit sleeping out of doors under a
tree. Three of them! There’s something mighty queer behind this.’ He was
quite right, but he never found out any more about it.”
Question of Smoke 