How about a librarian, with bottle-cap glasses and moth-eaten sweaters? Susan comes by the public library, looking for background context on her latest article–
“I’m looking for a murder, or a scandal,” she told Agnes Jepsen (according to her name plate). “They assigned me this fluff piece, but I’m pretty sure there’s got to be something sordid and interesting in local flower garden history.”
Agnes pushed her round glasses up her nose– the glass was thick, her eyes blurry and distorted behind them. “Come with me,” she said, and dragged Susan back to a dusty old local memoir section. “I think there’s some buried skeletons in these…”
Susan had been trying for years to live here, and she was good at it– here on this ground, this apartment with these squeaky floors, this sandwich scattering crumbs all over her work desk. Eyes open, eyes up– she had been lost in worlds of fantasy before, and they had stolen bits of her when they went away. She had been lost in the plumbed depths of wardrobes, in the shriek of train whistles and the shrill ring of phone calls that asked you to come and identify your little sister’s body.
But she was here, now– she had work to do, friends to gossip with, cheap, smushed sandwiches to buy from the corner cart at lunchtime, and two books on influential journalists that Agnes had pushed on her. Eyes open, eyes up, don’t dream.
It was weeks before Susan realized she had memorized Agnes’s schedule– she was simply the best help, whether you knew precisely what you were looking for or not. And Susan found herself showing up on the library doorstep and saying, “Agnes, I’m looking for train schedules from the 1800s, London,” or “Agnes, you have anything on displaced samurai?” or “Ag, chemical proesses for distilling scotch whiskey?” or “Ag, something? Anything interesting. I’m a blank slate,” or “Ag, want to grab a drink when you get off?”
Susan had fought so hard to live here, but the thing was that Agnes didn’t, half the time. Agnes paid her bills and got her mousy hair cut with a clocklike precision every two months and saw her parents for dinner and tore into Susan’s newspaper assignments with a wide-eyed, present glee– but part of Agnes lived in historical accounts of subsistence farming in Virginia and the physics of seabird flight, or even in the shelves of children’s literature.
“This is one of my favorites,” Agnes told Susan once, cross-legged on a worn rug on Susan’s creaky floor. Tugging a blanket firmer around her shoulders, she turned through illustrated pages. “Other worlds, lost children. As a child, I’d turn over every green stone I found, seeing if it would send me someplace magical, like it did them. Did you ever wish things like that, when you were small?”
“No,” Susan said, tipping her head back to look at the speckled paint on the ceiling. “I read dictionaries.”
“I read dictionaries, too,” said Agnes. There were smudges in the margins of the little book, and notes written in a half dozen different pens, from a blocky child’s lettering to Agnes’s present, spidery script. “Doesn’t mean you can’t dream, too. I think that’s half the problem with schools these days– they teach kids to think, and not to dream.”
“I had an old friend who liked to say stuff like that.”
Agnes pushed her glasses up her nose. “Oh? I’d love to have a fellow grump to complain with. Are they local?”
“He died,” said Susan. She reached for her mug, but it was empty and she put it back down.
Agnes looked at her critically. “That is your answer for a depressingly large number of questions,” Agnes said. “You take this,” she said, handing her the book and wobbling to her feet in one unbalanced motion. “I’m getting you more tea, and maybe some chocolate.”
It was a Sunday, the morning light peering through the windows. Susan sat cross-legged on her worn couch, in nylons and a pale skirt with her dark hair pulled up and away from her face. She listened to Agnes putter and hum out of sight in the kitchen, and then Susan let the book in her lap fall open to the first page.
Sometimes, when you give parts of yourself away, you get something back.
Poor, food-hapless Alex. Lena looks like she wants to help you feel better!
I love how this perfectly encapsulates this family: Eliza’s high expectations of Alex, Alex doing her gay best and being a bit of a disaster, and Kara trying to lift her sister up in the kindest way possible.
Eliza is actually so damaging to Alex. And we had them acknowledge it, once, briefly (I believe) in season 2 but it’s never mentioned again. I do think Alex still struggles with it and it shows here so well.
She’s trying to hard to keep up at work and please Hasley and keep Earth safe so she doesn’t have time for freaking cranberry sauce. Yet, when she shows up with the canned stuff she gets instantly judged…
Alex really can’t do anything right and I wish they would address that more because this is real world stuff and I wish they would show us a way to deal with it but also how damaging it can be. Eliza isn’t evil. Eliza doesn’t even bad intentions but that doesn’t mean she’s not hurting her daughter.
They did address this. It was the driving plot of the S1 Thanksgiving ep. Alex got drunk and fought with Eliza, Eliza yelled at Alex, Kara cut in after Alex stormed off to shut Eliza down for blaming Alex for Kara coming out as Supergirl. And later Alex full on asked Eliza why nothing she does is ever enough and Eliza realized she was wrong for how she’d treated Alex growing up.
That’s why the subsequent Thanksgiving/mid-season-Eliza-centric eps touch on the issue like this; it’s an update, of sorts. By no means perfect or ideal, but they exist to show Eliza IS trying, and because of that, Alex can let the small things like the cranberry sauce roll off her back now.
They opened up the dialog between them in S1. In doing so, they characterized their relationship to allow Alex to confront Eliza on the issues that cross a line.
Again, they’re not perfect and they never will be. But Alex was vindicated for all the shit Eliza put her through. That’s the only reason she and Eliza’s relationship can look the way it does now.
Kara Danvers totally makes an appearance on Sesame Street as Supergirl
Kara as Supergirl, with Elmo and Grover and Big Bird (definitely with Big Bird) talking about how to deal with bullies.
Kara in her suit and and cape with that smile on her face that makes people smile back whether they meant to or not and kids trust her instantly, talking about adoptive families and getting along with your siblings. And no she can’t say who her adoptive family here on earth is, because they need to stay safe but she can talk about how much she loves them, just like she still loves her biological family even though she misses them every day. She can talk about the times it was hard fitting in with a new family and how sometimes someone might say something hurtful (and how sometimes that someone was her) but how family means talking and forgiveness and understanding and love whether you were born into it, or you found each other (and maybe she goes home that night and she and Alex don’t talk they just hug tighter than usual and Alex’ eyes are suspiciously shiny when she steals the remote).
Kara with her chin up and her shoulders squared and her voice not shaking at all (J’onn gives her a nod when she comes back to the DEO and a quiet “good job, Supergirl,” that means everything) talking about being far from home and trying to adjust to a new culture and a new language and how it hurt when people made fun of her and how they live in a big world where a lot of people have to leave their homes sometimes for very bad reasons and how sometimes all it takes is someone holding out their hand and saying “you can sit with us at lunch” to make things a little better.
Kara kissing Elmo on the top of his head and Elmo giggling, and then floating up to hug Big Bird so he doesn’t have to bend down.
Kara definitely being invited back.
Kara and Sesame Street
Reblogging again for the heartbreaking commentary. The Sesame Street episode I never knew I always needed.
I consider it canon that in the universe where Supergirl and Superman are real, the Muppets are real also, and Superman has sung ‘Rainbow Connection’ with Kermit at least twice.
you ever realize how much better life is when you just. fucking ignore canon? toss canon out the window? grind canon into dust under your heel? repeatedly punch canon in the face with one hand while writing a 50k fix-it fic with the other? pure bliss